Die Geschichte der O - Die Serie. (Story of O - The Series / Historia de O). E, Die Geschichte der O. Interessante Story und gut ausgesuchte Schauspieler, was will man mehr? The humiliation of 'O' was uncomfortable to watch. The Story of O Film () Trailer Kritik KINO. Geschichte der O und Untold Pleasures ganzer Film als Stream. Stream kostenlos auf Deutsch.
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The Story Of O Stream Also directed by Just Jaeckin VideoThe Story of O 1975 movie trailer - watch online, Corinne Clery film
Then the light went out; the women left. But O was blindfolded again. Then they made her walk forward - she stumbled slightly as she went - until she felt that she was standing in front of the fire around which the four men were seated: she could feel the heat, and in the silence she could hear the quiet crackling of the burning logs.
She was facing the fire. Two hands lifted her cape, two others - after having checked to see that her bracelets were attached - descended the length of her back and buttocks.
The hands were not gloved, and one of them penetrated her in both places at once, so abruptly that she cried out. Someone laughed.
Someone else said: "Turn her around, so we can see the breasts and the belly. A hand seized one of her breasts, a mouth fastened on the tip of the other.
But suddenly she lost her balance and fell backward supported by whose arms? Hair grazed the insides of her thighs. She heard them saying that they would have to make her kneel down.
This they did. She was extremely uncomfortable in this position, especially because they forbade her to bring her knees together and because her arms pinioned behind her forced her to lean forward.
Then they let her rock back a bit, as nuns are wont to do. But as a matter of fact You have to get past the pleasure stage, until you reach the stage of tears.
So they made her kneel down again, this time with her bust on an ottoman, her hands still tied behind her, with her hips higher than her torso.
Then one of the men, holding her with both his hands on her hips, plunged into her belly. He yielded to a second. The third wanted to force his way into the narrower passage and, driving hard, made her scream.
When he let her go, sobbing and befouled by tears beneath her blindfold, she slipped to the floor, only to feel someone's knees against her face, and she realized that her mouth was not to be spared.
Finally they let her go, a captive clothed in tawdry finery, lying on her back in front of the fire. She could hear glasses being filled and the sound of the men drinking, and the scraping of chair.
They put some more wood on the fire. All of a sudden they removed her blindfold. The large room, the walls of which were lined with bookcases, was dimly lit by a single wall lamp and by the light of the fire, which was beginning to burn more brightly.
Two of the men were standing and smoking. Another was seated, a riding crop on his knees, and the one leaning over her fondling her breast was her lover.
All four of them had taken her, and she had not been able to distinguish him from the others. They explained to her that this was how it would always be, as long as she was in the chateau, that she would see the faces of those who violated or tormented her, but never at night, and she would never know which ones had been responsible for the worst.
The same would be true when she was whipped, except that they wanted her to see herself being whipped, and so this once she would not be blindfolded.
They, on the other hand, would don their masks, and she would no longer be able to tell them apart. Her lover had helped her to her feet, still wrapped in her red cape, made her sit down on the arm of an easy chair near the fire, so that she could hear what they had to tell her and see what they wanted to show her.
Her hands were still behind her back. They showed her the riding crop, which was long, black, and delicate, made of thin bamboo encased in leather, the kind one sees in the windows of better riding equipment shops; the leather whip, which the first man she had seen had been carrying in his belt, was long and consisted of six lashes knotted at the end.
There was a third whip of fairly thin cords, each with several knots at the end: the cords were quite stiff, as though they had been soaked in water, which in fact they had, as O discovered, for they caressed her belly with them and nudged open her thighs, so that she could feel how stiff and damp the cords were against the tender, inner skin.
Then there were the keys and steel chains on the console table. Along one entire wall of the library, halfway between floor and ceiling, ran a gallery which was supported by two columns.
A hook was imbedded in one of them, just high enough for a man standing on tiptoe, with his arms stretched above his head, to reach.
They told O, supporting her shoulders, and the other in the furrow of her loins, which burned so she could hardly bear it, they told her that her hands would be untied, but merely so that they could be fastened anew, a short while later, to the pole, using these same bracelets and one of the steel chains.
They said that, with the exception of her hands, which would be held just above her head, she would thus be able to move and see the blows coming: that in principle she would be whipped only on the thighs and buttocks, in other words between her waist and knees, in the same region which had been prepared in the car that had brought her here, when she had been made to sit naked on the seat; but that in all likelihood one of the four men present would want to mark her thighs with the riding crop, which makes lovely long deep welts which last a long time.
She would not have to endure all this at once; there would be ample time for her to scream, to struggle, and to cry. They would grant her some respite, but as soon as she had caught her breath they would start in again, judging the results not from her screams or tears but from the size and color of the welts they had raised.
They remarked to her that this method of judging the effectiveness of the whip - besides being equitable - also made it pointless for the victims to exaggerate their suffering in an effort to arouse pity, and thus enabled them to resort to the same measures beyond the chateau walls, outdoors in the park - as was often done - or in any ordinary apartment or hotel room, assuming a gag was used such as the one they produced and showed her there on the spot , for the gag stifled all screams and eliminates all but the most violent moans, while allowing tears to flow without restraint.
There was no question of using it that night. On the contrary, they wanted to hear her scream; and the sooner the better. The pride she mustered to resist and remain silent did not long endure: they even heard her beg them to untie her, to stop for a second, just for a second.
So frantically did she writhe, trying to escape the bite of the leashes, that she turned almost completely around, on the near side of the pole, for the chain which held her was long and although quite solid, was fairly slack.
As a result, her belly and the front of her thighs were almost as marked as her backside. They made up their minds, after in fact having stopped for a moment, to begin again only after a rope had been attached first to her waist, then to the pole.
Since they tied her tightly, to keep her waist snug to the pole, her torso was forced slightly to one side, and this in turn caused her buttocks to protrude in the opposite direction.
Given the way her lover had handed her over, had delivered her into this situation, O might have assumed that to beg him for mercy would have been the surest method for making him redouble his cruelty, so great was his pleasure in extracting, or having the others extract, from her this unquestionable proof of his power.
And indeed he was the first to point out that the leather whip, the first they had used on her, left almost no marks in contrast to the whip made of water-soaked cords, which marked almost upon contact, and the riding crop, which raised immediate welts , and thus allowed them to prolong the agony and follow their fancies in starting and stopping.
He asked them to use only the whip. Meanwhile, the man who liked women only for what they had in common with men, seduced by the available behind which was straining at the bonds knotted just below the waist, a behind made all the more enticing by its efforts to dodge the blows, called for an intermission in order to take advantage of it.
He spread the two parts, which burned beneath his hands, and penetrated - not without some difficulty - remarking as he did that the passage would have to be rendered more easily accessible.
They all agreed that this could, and would, be done. When they untied the young woman, she staggered and almost fainted, draped in her red cape.
Before returning her to the cell she was to occupy, they sat her down in an armchair near the fire and outlined for her the rules and regulations she was to follow during her stay in the chateau and later in her daily life after she had left it which did not mean regaining her freedom, however.
Then they rang. The two young women who had first received her came in, bearing the clothes she was to wear during her stay and tokens by which those who had been hosts at the chateau before her arrival and those who would be after she had left, might recognize her.
Her outfit was similar to theirs: a long dress with a full skirt, worn over a sturdy whalebone bodice gathered tightly at the waist, and over a stiffly starched linen petticoat.
The low-cut neck scarcely concealed the breasts which, raised by the constricting bodice, were only lightly veiled by the network of lace.
The petticoat was white, as was the lace, and the dress and bodice were a sea- green satin. When O was dressed and resettled in her chair beside the fire, her pallor accentuated by the color of the dress, the two young women, who had not uttered a word, prepared to leave.
One of the four friends seized one of them as she passed, made a sign for the other to wait, and brought the girl he had stopped back toward O.
He turned her around and, holding her by the waist with one hand, lifted her skirt with the other, in order to demonstrate to O, he said, the practical advantages of the costume and show how well designed it was.
He added that all one needed to keep the skirts raised was a simple belt, which made everything that lay beneath readily available. In fact, they often had the girls go about in the chateau or the park either like this, or with their skirts tucked up in front, waist high.
They had the young woman show O how she would have to keep her skirt: rolled up several turns like a lock of hair rolled in a curler and secured tightly by a belt, either directly in front, to expose the belly, or in the middle of the back, to leave the buttocks free.
In either case, skirt and petticoat fell diagonally away in large, cascading folds of intermingled material. Like O, the young woman's backside bore fresh welt from the riding crop.
She left the room. Here is the speech they then delivered to O: "You are here to serve your masters. During the day, you will perform whatever domestic duties are assigned to you, such as sweeping, putting back the books, arranging flowers, or waiting on table.
Nothing more difficult than that. But at the first word or sign from anyone you will drop whatever you are doing and ready yourself for what is really your one and only duty: to lend yourself.
Your hands are not your own, nor are your breasts, nor, most especially, any of your bodily orifices, which we may explore or penetrate at will.
You will remember at all times - or as constantly as possible - that you have lost all right to privacy or concealment, and as a reminder of this fact, in our presence you will never close your lips completely, or cross your legs, or press your knees together you may recall you were forbidden to do this the minute you arrived.
This will serve as a constant reminder, to you as well as to use, that your mouth, your belly, and your backside are open to us. You will never touch your breasts in our presence: the bodice raises them toward us, that they may be ours.
During the day you will therefore be dressed, and if anyone should order you to lift your skirt, you will lift it; if anyone desires to use you in any manner whatsoever, he will use you, unmasked, but with this one reservation: the whip.
The whip will be used only between dusk and dawn. But besides the whipping you receive from whoever may want to whip you, you will also be flogged in the evening, as punishment for any infractions of the rules committed during the day: for having been slow to oblige, for having raised your eyes and looked at the person addressing you or taking you - you must never look any of us in the face.
If the costume we wear in the evening - the one I am now wearing - leaves our sex exposed, it is not for the sake of convenience, for it would be just as convenient the other way, but for the sake of insolence, so that your eyes will be directed there upon it and nowhere else, so that you may learn that there resides your master, for whom, above all else, your lips are intended.
During the day, when we are dressed in normal attire and you are clothed as you are now, the same rules will apply, except that when requested you will open your clothes, and then close them again when we have finished with you.
Another thing: at night you will have only your lips with which to honor us - and your wide-spread thighs - for your hands will be tied behind your back and you will be naked, as you were a short while ago.
You will be blindfolded only to be maltreated and, now that you have seen how you are whipped, to be flogged. And yes, by the way: while it is perfectly all right for you to grow accustomed to being whipped - since you are going to be every day throughout your stay - this is less for our pleasure than for your enlightenment.
How true this is may be shown by the fact that on those nights when no one desires you, you will wait until the valet whose job it is comes to your solitary cell and administers what you are due to receive but we are not in the mood to mete out.
Actually, both this flogging and the chain - which when attached to the ring of your collar keeps you more or less closely confined to your bed several hours a day - are intended less to make you suffer, scream, or shed tears than to make you feel, through this suffering, that you are not free but fettered, and to teach you that you are totally dedicated to something outside yourself.
When you leave here, you will be wearing on your third finger an iron ring, which will identify you. Bu then you will have learned to obey those who wear the same insignia, and when they see it they will know that beneath your skirt you are constantly naked, however comely or commonplace your clothes may be, and that this nakedness is for them.
Should anyone find you in the least intractable, he will return you here. Now you will be shown to your cell. She therefore got up, gathering her skirts in her arms to keep from tripping, for she was not used to long dresses and did not feel steady on the mules with thick soles and very high heels which only a thick satin strip, of the same green as her dress, kept from slipping off her feet.
As she bent down she turned her head. The women were waiting, the men were no longer looking at her. Her lover, seated on the floor leaning against the ottoman over which she had been thrown at the beginning of the evening, with his knees raised and his elbows on his knees, was toying with the leather whip.
As she took her first step to join the women, her skirt grazed him. He raised his head and smiled, calling her by her name, and he too stood up.
Softly her caressed her hair, smoothed her eyebrows with the tip of his finger, and softly kissed her on the lips.
In a loud voice, he told her that he loved her. O, trembling, was terrified to notice that she answered "I love you," and that it was true. He pulled her against him and said: "Darling, sweetheart," kissed her on the neck and the curve of the cheek; she had let her head fall on his shoulder, which was covered by the purple robe.
Very softly this time he repeated to her that he loved her, and very softly added: "You're going to kneel down, cress me, and kiss me," and he pushed her away, signaling to the women to move aside so he could lean back against the console.
He was tall, but the table was not very high and his long legs, sheathed in the same purple as his robe, were bent. The open rope stiffened from beneath like drapes, and the top of the console table slightly raised his heavy sex and the light fleece above it.
The three men approached. O knelt down on the rug, her green dress in a corolla around her. Her bodice squeezed her; her breasts whose nipples were visible, were at the level of her lover's knees.
As they were adjusting the lamp so that the beam of light would fall directly on his sex and on his mistress's face, which was almost touching it, and on her hands which were caressing him from below, Rene suddenly ordered: "Say it again: 'I love you.
The three men, who were smoking, commented on her gestures, on the movement of her mouth closed and locked on the sex she had seized, as it worked its way up and down, on the way tears streamed down her ravaged face each time the swollen member struck the back of her throat and made her gag, depressing her tongue and causing her to feel nauseous.
It was this same mouth which, half gagging on the hardened flesh which filled it, murmured again: "I love you. O could hear the comments made by those present, , but through their words she strained to hear her lover's moans, caressing him carefully, slowly , and with infinite respect, the way she knew pleased him.
O felt that her mouth was beautiful, since her lover condescended to thrust himself into it, since he deigned publicly to offer caresses to it, since, finally, he deigned to discharge in it.
She received as a god is received, she heard him cry out, heard the others laugh, and when she had received it she fell, her face against the floor.
The two women picked her up, and this time they led her away. The mules banged on the red tiles of the hallway, where doors succeeded doors, discreet and clean, with tiny locks, like the doors of the rooms in big hotels.
O was working up the courage to ask whether each of these rooms was occupied, and by whom, when one of her companions, whose voice she had not yet heard said to her: "You're in the red wing, and your valet's name is Pierre.
He often came in at night. The valets have the keys and the right to use any of us in the rooms of their section. As they turned a corner of the hallway, they made her halt before a door similar in all respects to the others: on a bench between this and the following door she noticed a sort of thick-set, ruddy peasant, whose head was practically clean shaved, with small black eyes set deep in his skull and rolls of flesh on his neck.
He was dressed like the valet in some operetta: a shirt whose lace frills peeked out from beneath his black vest, which itself was covered by a red jacket of the kind called a spencer.
He had black breeches, white stockings, and patent-leather pumps. He too was carrying a leather-thonged whip in his belt. His hands were covered with red hair.
He took a master key from his vest pocket, ushered the three women in, and said: "I'm locking the door. Ring when you've finished. With the hall door closed, they found themselves in an antechamber which opened into the cell proper; in this same wall, inside the room itself, was another door which opened into the bathroom.
Opposite the doors there was the window. Against the left wall, between the doors and the window, stood the head of a large square bed, which was very low and covered with furs.
There was no other furniture, no mirror. The walls were bright red, and the rug black. Andree pointed out to O that the bed was less a bed than a mattressed platform covered with a black, longhaired imitation fur material.
The pillow, hard and flat like the mattress, was of the same reversible material. The only object on any of the walls was a thick, gleaming steel ring which was set at about the same height above the bed as the hook in the stake had been above the floor of the library; from it descended a long steel chain directly onto the bed, its links forming a little pile, the other end being attached at arm's length to a pad-locked hook, like a drapery pulled back and held in place by a curtain loop.
Jeanne and Andree did not allow O to go in until she was naked. They put her dress away in the closet next to the washbasin, where her mules and red cape already were, and remained with her, so that when she had to squat down over the porcelain pedestal she found herself surrounded by a whole host of reflections, as exposed as in the library when unknown hands had taken her by force.
I'm ringing for Pierre. We'll come and get you tomorrow morning. O, completely taken aback, remained standing at the foot of the bed. With the exception of the collar and leather bracelets, which the water had stiffened when she had bathed and were tighter than before, O was naked.
And he seized both her hands. He slipped one of the bracelet hooks into the other, so that her wrists were tightly joined, then clipped both these hooks to the ring of the necklace.
Thus her hands were joined as in an attitude of prayer, at the level of her neck. All that remained to be done was to chain her to the wall with the chain that was lying on the bed, and was attached to the ring above.
He unfastened the hook by which the other end was attached and pulled on it in order to shorten it. O was forced to move to the head of the bed, where he made her lie down.
The chain clicked in the ring, and was so tight that the young woman could do no more than move from one side of the bed to the other or stand up on either side of the headboard.
Since the chain tended to shorten the collar, that is, pull it backward, and her hands tended to pull it forward, and equilibrium was established, with her joined hands lying on her left shoulder and her head bending in that direction as well.
The valet pulled the black cover up over O, but not before he had lifted her legs for a moment and pushed them back toward her chest, to examine the cleft between her thighs.
He did not touch her further, did not say a word, turned out the light, which was a bracket lamp on the wall between the two doors, and went out.
Lying on her left side, alone in the darkness and silence, hot beneath her two layers of fur, of necessity motionless, O tried to figure out why there was so much sweetness mingled with the terror in her, or why her terror seemed itself so sweet.
She realized that one of the things that most distressed her was the fact that she had been deprived of the use of her hands; not that her hands could have defended her and did she really want to defend herself?
O's hands had been taken away from her; her body beneath the fur was inaccessible to her. How strange it was not to be able to touch one's own knees, or the hollow of one's own belly.
The lips between her legs, her burning lips were forbidden her, and perhaps they were burning because she knew they were open to the first comer: to the valet Pierre, if he cared to enter.
She was surprised that the whipping she had received had left her so untroubled, so calm, whereas the thought that she would probably never know which of the four men had twice taken her from behind, and whether it was the same man both times, and whether it had been her lover, quite distressed her.
She turned over slightly on her stomach, recalling that her lover loved the furrow between her buttocks which, except for this evening if it had been he , he had never penetrated.
She hoped it had been he; would she ask him? Ah, never! Again she saw the hand which in the car had taken her garter belt and panties, and had stretched the garters so that she could roll her stockings down to above her knees.
The memory was so vivid that she forgot her hands were bound and made the chain grate. And why, if she took the memory of the torture she had gone through so lightly, why did the very idea , the very word or sight of a whip make her heart beat wildly and her eyes close with terror?
She did not stop to consider whether it was only terror; she was overwhelmed with panic: they would pull on her chain and haul her to her feet on the bed, and they would whip her, with her belly glued to the wall they would whip her, whip her, the word kept turning in her head.
Pierre would whip her, Jeanne had said he would. You're lucky, Jeanne had repeated, they'll be a lot harder on you. What had she meant by that?
She no longer felt anything but the collar, the bracelets, and the chain; her body was drifting away. She fell asleep. In the wee hours of the night, just before dawn when it is darkest and coldest, Pierre reappeared.
He turned on the light in the bathroom, leaving the door open so that a square of light fell on the middle of the bed, on the spot where O's slender body was curled, making a small mound beneath the cover, which silently he pulled back.
Since O was sleeping on her left side, her face to the window and her legs slightly drawn up, the view she offered him was that of her white flanks, which seemed even whiter against the black fur.
He took the pillow from beneath her head and said politely: "Would you lease stand up," and when she was on her knees, a position she managed by pulling herself up with the chain, he gave her a hand, taking her by the elbows so that she could stand up straight with her face to the wall.
The square of light on the bed, which was faint, since the bed was black, illuminated her body, but not his gestures. She guessed, but could not see, that he was undoing the chain to rehook it to another link, so that it would remain taut, and she could feel it growing tighter.
Her feet, which were bare, were solidly planted on the bed. Nor was she able to see that he had in his belt not the leather whip but the black riding crop similar to the one they had hit her with while she was tied to the stake, but they had only used it twice on her and had not hit her hard.
She felt Pierre's left hand on her waist, the Mattress gave a little as, to steady himself, he put his right foot on it. At the same time as she heard a whistling noise in the semi- darkness, O felt a terrible burning across her back, and she screamed.
Pierre flogged her with all his might. He did not wait for her screams to subside, but struck her again four times, being careful each time to lash her above or below the preceding spot, so that the traces would be all the clearer.
Even after he had stopped she went on screaming, and the tears streamed down into her open mouth.
When she was facing him, he moved back slightly and lowered his crop on the front of her thighs as hard as he could.
The whole thing had lasted five minutes. When he had left, after having turned out the light and closed the bathroom door, O was left moaning in the darkness, swaying back and forth along the wall at the end of her chain.
Clue PG CC. Directed by: Jonathan Lynn. Unknown Binding. Arrives before Christmas Only 9 left in stock - order soon.
Arrives before Christmas Only 4 left in stock - order soon. Other options New. Misogynist CC. Directed by: Michael Matteo Rossi.
Starring: Stella Singer and Carl G. Herrick Directed by: W. Oct 20, Great On Kindle: A high quality digital reading experience.
Safeword CC. This video is currently unavailable. Remedy CC. Directed by: Cheyenne Picardo. Other format: Paperback. Sound of Metal R CC.
Safeword R CC. If you're looking for a direct adaptation of the novel, then look elsewhere. Just Jaeckin took a lot of liberties with the story.
To me, this is fine since I love his soft focus style of shooting and he usually chooses good music composers for his films I definitely recommend getting the LP of the music score for this movie.
This was a great find! While some folks may be irritated at the switch from English to French in certain parts of the movie scenes that were cut out from English release?
Granted this movie is from , but it is still a great film to watch. See all reviews. Top reviews from other countries.
Nice colour version based on the original story. For its time very well done. Very erotic and sensual. Anyone looking for blatant sex is missing the point of the film and the original book.
Yes there is nudity - breasts, bottoms and pubic hair are shown as is the whip but no explicit genitals, male or female. You imagine the sex if you want to.
Remember this girl could haver left the manor at ant time but she wanted to be there and participate. I for one enjoyed it. The humiliation of 'O' was uncomfortable to watch.
Couldn't find any redeeming features in the Male characters. Obviously this is a personal opinion but the film left a nasty taste.
Report abuse. I suppose it is inevitable that any film is going to lack something when it follows a classic book.
It has modified some of the details from the original story, but its a good film, it conveys something of the attitudes and emotions from 'O'.
The quality of images of the film is not so good, namely rather blurred, although it might be the result from a technical level at the time of making of the original film.
And it is very sorry that no original script in French is included in there. Back to top. Get to Know Us.
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Questions or concerns? Interested in participating in the Publishing Partner Program? Let us know. It was then revealed that Aury was in fact yet another pseudonym for Desclos.
The controversial work has been frequently criticized by feminists as a glorification of the abuse of women.
The Story of O was her response. The intense erotic effect is achieved by a kind of mismatch between language and psychological content.
Instead, the prose is constrained by Desclos and proceeds unruffled and at an unvarying pace through a series of degraded sexual episodes, leading eventually to the disappearance of O behind yet another mask, that of an owl.
The most tightly fitted mask is style itself.